Tuesday, November 26, 2013

Day 5 Disco

1970s saw a revolution in Hollywood, the solo male bandstand style swing dances, were replaced by boys and girls dancing with disco lights, glossy clothes and very typical rhythmic music. You can say when tap dancing supported by hand movements usually up and down and fancy clothes and highly dependent on music which has high-pitch vocals, steady drum-beats and bass line can be defined as a disco dance. Few common dance steps include side stepping , raising your arms overhead, large hip and pelvic movements, and twisting your hands in time to the beat. A few common disco dance steps include pivot turns, foot stamps, and shoulder rocks. Most of the steps in count of 1-2-3-4..

1980s in Bollywood was greatly influenced by Bappi Lahiri and his disco hits. In 1982, an entire movie was made on the life of a disco dancer, and ever since this movie was hit, the main lead Mithun Chakraborty is worshipped as Disco God.....Enjoy this song from Disco Dancer..Music, disco lights, costume, steps...all uniquely identifying DISCO...
http://www.youtube.com/watch?v=BhS8ngubgTk

Enjoy this Reena Roy’s Disco Station...sung wonderfully by Ashaji...mastt lady disco...steps,music, costume, set...discomay.....dance along
http://www.youtube.com/watch?v=9fZ0UTAy75M

Watch Preity Zinta here and her initial steps jumping with arms overhead....Mostly entire trope performs a single step several times....and yeah what Shahrukh is doing in between is NOT disco..he did that in his own movie Om Shanti Om..Darde Disco.lol....enjoy..its time to disco...(Though the clothing is not disco clothing)
http://www.youtube.com/watch?v=ZetErXfiW78


Day 6  Hip-Hop
Hip-hop is a street dance style, originating from New York’s young Hispanic and African-American boys.  You can consider Break-Dance as a sub-form of hip-hop.Hip-hop includes various moves such as breaking, popping, locking and krumping, and even house dance. In krumping, the dancers sometimes use physical contact and weight sharing. Generally classifying HipHop is a dance style with lot of attitude and colorful dance-wear accompanying free moves.
Please enjoy this famous Madhuri-Prabhu deva number which I identify as a hip-hop/Latin western dance….though since MD is doing is…the street dance attitude is less and it looks more like a graceful dancing…but observe other guys…they are doing pure hiphop…


Lyrical hiphop is now a days gaining more popularity. Lyrical dance means dancer tries to tell a story with the help of gestures, wordings of the song and facial expression. So Lyrical hiphop means story telling with free moves…confused?...just understand one thing…aur kuchh ho na ho  long hair and kind of “Ham hai mahan” attitude is must…here is one from Bluff Master(2005)…though dance kam hai…but attitude bahut hai boss…J


Thursday, February 21, 2013

Day 4 BharatNatyam

 Just as Kathak was infamous being danced by Mujra girls during Mughal rule in northern India, Bharat Natyam was developed by Devdaasis in the temples of southern India, mostly parts of Tamil Nadu. I really feel bad about this and feel happy that I am born in an era where this dancing is not limited to a particular section of society and Any Body Can Dance....lol...They say devdaasis were married to god and their only job was to pursue music and performing arts and worshiping. Yes indeed dancing or any performing arts form require total deciation...
Today bharata natyam is one of the most widely performed dance form in the world. The origins of this dance go back to the Natya Shastra. Bharatnatyam = Bhava+Raga+Tala+Natyam. Thus its again the base of storytelling combined with pure dance movements. Difference between Kathak and Bharatnatyam is same as the difference between Northern and Southern music, otherwise both are story telling dances with emphasis on mudras and bhavas. Bharat Natyamis also described as Natya Yoga or dance with yoga in Balasaraswati, which reveals the spiritual and physical human body. Bhava sylbolizes cosmic energy.After the four veda, Brahmaji created fifth veda 'Natya Veda', which had comibations of Pathya(words) of Rig veda, Abhinaya of Yajur veda, Geetham of Sam veda, and Rasam of Samveda...so even that time remix was present..:)

The dance is also distinctive due to the particular styles of dressing and makeup.The typical bol in south Indian accent identifies the dance form. More about it in next post..

Enjoy this bharatnatyam Adavu by Vijayanti Mala in Chitoor Rani Padmini (Tamil 1963). This is the Natta Adavu in classical Indian dance of Bharatanatyam."Natta" means to stretch and so the Adavu involves some stretching to form beautiful patterns. You can get a feel of devdasis and temple dancers. Also observe the typical bharat natyam hand and foot movements. They are always so synchronized and structured(more strict than Kathak) ; you will always find equal number of steps in right as much as in left direction. The adjoining music is Karnataki!!

http://www.youtube.com/watch?v=X7oBW8QsHmg
 Bharatnatyam comprises of Nritta(plain movements), Natya(acting) and their combination Nritya. The entire body is devided in Anga (Head, hand, chest, waist, bottom, legs), Pratyanga (Shoulders, Arms, Stomach, thighs, knees) and Upaanga (Sight, eyebrow, eyelids, eyeballs, cheek, nose, gums, lower lip, teeth, tougue and face). Thus each and every part of your body dances when you do BharatNatyam..

Many actresses like Wahida Rehman,Shilpa Shetty, Deepika Padukone are trained Bharat Natyam dancers…However, Hema Malini is totally dedicated to this dance form and have given several mesmerizing performances.She has even trained many including her both daughters - Esha and Ahna.

Hope you like one of the performance by Hema Malini and her daughters dancing on Natya Vihar Parampara. Observe the beautiful postures, just like some dancing statues…Hemaaaa, Durge durgati nashini…Perfect postures and perfect bhava along with perfect costume…Bharat Natyam is very strict and no lethargy allowed…There are several hand mudra and at a particular moment your hand can only be in a particular mudra…

Also observe the Mrugundam dhavni instead of tabla/pakhawaj…

http://www.youtube.com/watch?v=qJMf_6eylcA
Bharatnatyam also have same nine rasas(mood) - Shringara, Hasya, Veera, Roudra, Bhayanaka, Vibhatsa, Adbhuta. Karunya and Shanta...and also has Tandava(7 types - Ananda, Tripura, Sandhya, Samara, Kaali, Uma and Gauri Tandava) and Lasya ( 2 types - Jarita and Yauvaka). Male dancer is called Nayak and Female dancer Nayika and they have their further sub-divisions....Usually after a tap(12 years) a dancer is ready for public performance called Arangetram..

Enjoy this beautiful performance by Sridevi in movie Jaag Utha Insaan...
http://www.youtube.com/watch?v=DMm7GfnQm7g
You might have enjoyed several performances by female dancers called Nayika. The Nayika is further classified into 8 types, called Ashtanayika Bhavas. They are
• Abhisarika (bold in her love expressions)
• Kalahantarika ( Repenting for her quarrels with her lover)
• Khandita (broken and disappointed)
• Proshitapathika ( missing her lover who is pardesi babu)
• Swadheenpathika (proudy)
• Vasakasajjika (waiting desperately for her lover…like Aishwarya in Silsila ye chahat ka)
• Virahotkanthika ( who wants viroh to end)
• Vipralabda ( Disaapointed of waiting for long)
The male dancer, Nayak is classified as
• Pati – Married and faithful husband
• Upapati – Married but in love with another woman
• Vaisika – Unfaithful man
Let’s not go further in to this classification and theoretical talk. Enjoy this wonderful performance by Kamal Hassan in a Malayalam movie…yes he did bharat natyam in ek duje ke liye, but I am not getting the exact clip so here is one from Sagarasangamam …with Jaya Prada…where he is offering his naman to Shankara and Parvatiji – adya gurus of nritya…Naad vinodam, natya vilasam,parama sukham !!!..not difficult to understand the words….Thats why including it here though its in Malayalam…
https://www.youtube.com/watch?v=ckuYaGGkqjw


  In the world of remixes how can this pure classical dance be far from remix? Here is Rani Mukherji and Preity Zinta’s Bharatnatyam Remix
https://www.youtube.com/watch?v=zCgCNJYk1l4



 

Monday, February 11, 2013

Day 3 Jazz Dance

Day 3 Jazz Dance

Jazz is a fun dance style and includes bold, dramatic body movements, including body isolations and contractions….tik tok tik tok…..Remember RD Burman’s Jazz beats used in Teesri Manzil for Shammiji’s entry as rockstar?
 
Jazz dance originated in 18th century with African-Americans, that’s why the rhythm and speed of Africans and expressions of Americans, makes the dance so much fun. The name was first used during World War I. Over the period of time, Jazz has seen various forms and its definition is flexible enough to accommodate any fast beat rhythm dance with energy & expressions as sub form of Jazz. 

1. The dance which I closely relate to Jazz in 1960 is from Teesri Manzil (1966)..Aaja, aaja mein hun pyar tera, allah allah inkar tera. Infact most of the dances in those days were influed by Jazz….includes Badan pe sitare lapateye huwa, Aaj kal tere mere charche har jupan par,o hasina zulfo wali janejahan… Usually in Jazz the laya/rhythm gradually increases and then reaches to fastest beat at climax, like in aaja aaja dance….I am focusing myself to dance but I know you won’t stop yourself from commenting about RD and and ashaji… here you go…
 
http://www.youtube.com/watch?v=x8ZrN_pizyQ
 2. Shiamak Davar, a well-known name for Indo-Jazz movements, started his classes in Mumbai in 1985. He had been training in London and New York. But after coming to India, his fusion of Indian dance with musical theater style jazz was not welcome. After the success of same in ‘Dil To Pagal Hai’, everybody rushed to him to explore the dance form further…Thanks to Karishma!!
You can spot the evolution of Jazz from 1960s to 1980s…Le gayi le gayi dil le gayi le gayi…
 
http://www.youtube.com/watch?v=cG1-LRNE57Y
  3. Now you would ask me is, Jazz is a dance with energetic movement, then how is it different than hiphop or break dance? Well Jazz is more structured; hip hop is like free-style. You do lots of spits and twirls in Jazz and may be its faster than ballet and slower than hip-hop. Some times dances are so confusing as it is better to just watch and enjoy instead of classifying them to their form....especially bollywood dances are always mixed kind...
Recently there is a remix of ballet and jazz with modern mixed to it and its rather slow. It is called Lyrical Jazz... During the promo of Guzarish, Hritik was said to have done lyrical jazz in that...but dont know where the song magically disappeared... I would be happy if anybody can share the link....No 'Udi' is not lyrical Jazz...I tried my best to search for typical jazz bollywood numbers but most of them are with Shammiji, Helenji or Shiamk so here is a link to performance of an eight year old kid...but what a dance...see the structured movements with beautiful twirls... isse kehte hain Jazz....
 http://www.youtube.com/watch?v=G8utSV6b5tc

Wednesday, February 6, 2013

Day 2 Lavani



Day 2  Lavani

I guess most of my friends are well acquainted with Marathi and Maharashtrian culture so perhaps have a first-hand information about Lavani(A famous folk dance from Maharashtra maza). This dance is accompanied by typical music where the lead dancer is accompanied by a group of other dancers in the background, you can say Dholkichya talavar… Lavani is ideally performed by a female performer and has a very distinctive entry….tak tak tak tak there is a dholki thap and the artist enters with ghunghat, facing backwards towards audience.
Lavani is derived from the word, Lavanya which means beauty…and it qualifies itself under shringar rasa.
The songs used in Lavani are mostly erotic in nature but there are lavanis which has a tinge of satire on social problems. Major instruments are dholki, manjeera, lejim, tuntuni and harmonium.
There are two types of Lavani : Nirguni (Free from any guna or type – philosophical) and Shringari( you can guess what..) I could not get a single Nirguni Lavani in youtube..so you can see the popularity of Shringari Lavani...
The poet-singer- is called Shahir while narrator-singer is called Nacha. Nacha is more commonly seen in Tamasha, the dramatic manifestation of Lavani....Usually, Nacha wears some lipsticks and shows woman-like nakhras..In short you can say, Lavani is a dance fragment of Tamasha.
Mostly we find Lavanis from Dhangars/shepherds but its also has its roots in Madhya Pradesh. Naik Banjara and Ranubai and their love songs and tale of balabau are well-known stories of lavani from MP.
Attire is nine-yard silk sari, usually bright in color with accessories like kolhapuri saaj, a long necklace and nath and hair-style is a bun called Ambada decorated with gajras…all possible shringar to please the audience...(yeah yeah I know Madhuri didn’t in Humko aaj kal hai intezar…but that was not Lavani…:)…)

1. Here is one Lavani from movie Ashanti performed by Shabana Azmi, Parveen Babi and Zeenat Aman. Lavangi mirchi mein Kolhapur ki..sung by Asha+Lata…..Please observe the costumes and enjoy beautiful dholaki…..
let me know tikhaa laga ke nahi?


2. Viddya Balan’s Lavani performance in Ferrai..I agree this is fimli lavani but comes close to lavani than chikni chameli….or ayya girl..Atleast I feel this is close to Lavani....I dont consider song with marathi base as lavani...as mungda and all...so after carefully scrutinizing the songs here is the song....

http://www.youtube.com/watch?v=NzyZ9kPRo8A

3. How can I have a post without Madhuri?...lol seriously guys I could not find any other performance close to Lavani... Madhuri had performed on several songs collaged in a performance in Jhalak Dikhla Ja...but I feel the present song from Anjam is better in terms of music...listen carefully to the beats between the stranzas..and words, costumes and moves...shringar ras se paripurna....but still graceful...
Mein Kolhapur se aayi hun.

Madhuri dixit on( apsara aali+dholkichya talavar+mein Kolhapur se aayi hun+uchaki) in jhalak dikhlaja


Lets nowl move on to Marathi Lavani today as I could not find suitable similar compositions in Hindi.
Marathi movies were dominated by Tamasha/Lavanis and people’s life sketches that were from Tamasha background. Some of the notable movies include Pinjra(Sandhya), Sangtye Aika(Jayashri Gadkar) , Natrang(Sonali Kulkarni and Amruta Khanvilkar) , Ek Hota Vidushak (Laxmikant Berde), Tamasha - Hach Khel Udya punha( (Bharat Jadhav).

·         4. Jayashri Gadkar was a noted Marathi actress of 50s and 60s and was aptly called lavani queen as she has so many lavani to her credit.(Later she shifted to being Kaushalya in Famous Ramayana serial where her husband Bal Dhuri played the role of Dashratha).  She was a Jr. artist in Jhanak Jhanak Payal baje and later started Lavani career from Sagtye Aika Infact, the lavani was adopted by Marathi films in the sixties from this movie.It was based on the biography of tamasha legend Hansa Wadkar.Some of well-known performances of Jayashri Gadkar are :

·                 Sawal Jawab with Arun Sarnaik from Sawal Majha Aika, sung by famous Lavani singer Sulochana Chavhan

·                 Bugadi mazi sandal ga from Shraddhanjali

·                 Khara Saangu from Bijli

·       5. Sandhya, wife of V. Shantaram also gave many Marathi lavani hits. You can enjoy Sandhya’s famous Lavani, “Latpat latpat tuje chalna” from Amar Bhopali, 1951….you can observe the mavlas and kind of setup in Shivaji Era..beautiful rhythmical wordings and sung by Lataji in her best..If you just listen to this song you may not imagine its Lavani..This is not Tamasha’s Lavani….so dance steps are different than typical, as well as the costume: Lavani originated from the 15th century when the Peshwa rule was reigning. There were many singers of Marathi culture who were famous with their music. Then it was Honaji Baba who introduced the tabla instead of the dholki. Then the concept of the baithakichi Lavani started where the performer is seen in a seated position.So enjoy this baithakichi lavani:

·         Latpat latpat tujhe chalne- Amar Bhopali 


·         Disla ga baai disla – Pinjara


·         Chabidar chabi sandya hey vagana bara nava..scoail message


·         6. Popular Lavanis in Recent times:

-          Amruta Khanvilkar - Vajale ki Bara - Natrang


-          Sonali Kulkarni - Apsara Ali – Natrang ( she is different than Dil Chahta hai wali Sonali Kulkarni J)


-          Resham Tipnis – Me Sataryachi gulchhadi – Bakula Namdev Ghotal


·                 Shweta Tiwari 0 Kaata Rutla – Yeddyanchi Jatra Choreographed by Saroj Khan

Wednesday, January 30, 2013

Day 1 Kathak


Day 1 Kathak

Theme : DANCE FORMS AND BOLLYWOOD
Dance is an integral part of music. With dance comes laya(rhythm) and sur where the song is just not composed but is enacted with rhythmic thirkan. In this series I will talk about different dance forms, selecting one every week. I will start with a popular Indian traditional dance form but will not be limited to this style.
Today I will start with my love of more than 30 years: Kathak
The word kathak is derived from Sanskrit word katha, meaning story. The ancient kathakas, or storytellers, were traveling bards who were the first to employ this dance in order to better communicate their tales to the masses. Most of the stories revolve around Krishna and his leelas but is not limited to only Him. Lord Shankar’s Tandav and Parvati’s Lasya equally qualify as Kathak subforms. Though there is Mughlai style as it made its way from the Mughal courts.
Kathak is characterized by intricate footwork (tatkars) and numerous 'chakkars' or spins which, combined with hand positions (mudras), steps, expression, and mime, are used to tell the story. Sometimes a kalakar even accomplishes 81 chakkars in a single go... Uff!!

Kathak is also performed in various styles or Gharanas, such as the Lucknow Gharana, Jaipur Gharana, Rajgarh Gharana and the Banaras Gharana.

The main instruments are tabla pakahawaj , sarangi , a flute, and sometimes a violin and a sitar.

There are two types of attire: Women wear a flared knee-length dress over churidar (tight-fitting trousers) with a dupatta (long scarf) draping the head and shoulders. This was influenced from the Mughlai Kathak(Yes you are right there…Inn aankhon ke masti ke mastane hazaro wala Rekha ka costume)…. Also Radha’s costume (Gaghra-choli) is equally famous. Men wear a Persian costume of wide shirts and round caps.

The four basic elements that must be mastered in Kathak dance are tayari (technique with precision), layakari (mastery of rhythm), khubsurti (beauty) and adbhuta (surprise and wonder). Traditional storylines, themes, and emotions being expressed revolve around the following rasas: shringar , karuna , vira, raudra, vibhatsa, hasya , bhayanaka .
This week I will present some popular songs which are similar or close to Kathak.
Madhuri Dixit is an accomplished Kathak Dancer and runs her own Kathak classes. Here is her very popular Kathak performance from movie Dil to Pagal hai, choreographed by Shiamak Davar, who won 1998’s best choreography awards in National, Filmfare and Zee Cine awards. Have a look at her footwork and chakkars, though this is a small piece of dance and not a full length song:
 
http://www.youtube.com/watch?v=i9FqG3c_sIE
This one is from Devdaas. Though other songs were under Farah Khan’s name and she also won that year many awards, this particular dance is done by Pt. Birju Maharaj. Observe the initial tukda of this song, performed by various junior artists and their dha dhinda katt….Pure classical form of Kathak consists of Paran, Tukda, Gat Nikas, Jugalbandi, Sawal-Jawab (footwork with tabla or pakhawaj) and demonstration of different beat. You can find many tukdas and parans in this song.Also observe Radha costume of Madhuri
 
http://www.youtube.com/watch?v=HYGgAHo186s
This is from Jhanak Jhanak Payal Baje. (Santoor was used first time from this movie).What a wonderful performance by Gopiji and Sandhya!! I guess in those days there was no separate award for choreography. If I could go back in time and choose choreographer, you can guess who it could be...
Nritya consists of two parts : Nritta (Physical dance) and Abhinaya (acting). This song comes under second category. Less of parans and tukda s but more of abhinaya….Again Radha and Krishna symbolizing love between two different genders…and offcourse shringar ras..and obviously in Radha costume..
 
http://www.youtube.com/watch?v=VIiB733yAyc
As I discussed earlier, there are two subforms of Kathak – Tandav and Lasya. Most of the songs qualify under Lasya. Lets see two songs from Tandav style. Tandav is considred to be a dance when you are angry. But this is myth. There can be Raudra ras as well as Veer ras mostly associated with Tandav.Here is Tandav from Gopi Krishnaji in very much happy mood(Hasya Ras) from two remakes of same movie “Bhookailasa”. Sorry  friends could not find the hindi version of this but is language at all required?

Also enjoy Sridevi's Tandav from Chandani in Shringar ras....U may find other anger-based Tandav in many other films which I am not sharing (Like Sridevi in Chaalbaaz)..

Rekha , the Mujra queen is also trained Kathak dancer.Rekha got 1998 U.P. award for the best kathak dancer in Hindi films. Here is her famous Kathak performance from Khoobsurat, though again this does not come under 100% classical category. I will cover her mujras in separate category.

A nice piece of Kathak sawal-jawab can be found at: 

http://www.youtube.com/watch?v=riYkueNAN8k